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I don't speak much about my film, mainly because I'm under confidentiality, and even though I am the worst corporate soldier on the planet, I do know what side my bread is buttered on. But here is a glimpse: at 6pm today I returned from two solid hours of story notes and analysis with my producers. I talked for 90% of it, clarifying character arcs, defending choices, discussing philosophical and logical underpinnings. My voice is shot. In a bellicose sort of way, I love these sessions. Because when you get a story really right, and you have clear, intelligent, interesting reasons for every choice made in the script, it's fun. The story charges forwards with a terrifying singlemindedness, because at no point could any character logically make a decision other than the one they do. And if you haven't got it right... well, that'll learn ya. No-one ever gets it right first off, which is why these sessions are great. In any case, the film goes well. I have work to do, but it's work I agree with, from people whose opinions I respect. Readers seem to be responding extremely positively to my characters and to the high concept. Fingers crossed for Cannes.
SYNDICATION: LiveJournal ARCHIVES: October 2004 November 2004 December 2004 January 2005 February 2005 March 2005 April 2005 May 2005 June 2005 July 2005 August 2005 September 2005 October 2005 November 2005 December 2005 January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 |
& FOR HER NEXT TRICKS: KAT & MOUSE 2 AGENT BOO 2 *** RECENTLY: MESSIAH COMPLEX 1 AGENT BOO 1 KAT & MOUSE 1 SMOKE *** Brief Loves: *** Friends & Conspirators: Admired Strangers: *** Musical Exotica:
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